How could such a serious man be so funny?
The Wittgenstein of laughter,
he bared the bones of funny,
examined them with truth in mind,
whiskey as witness to his soul.
Dancing with the skeleton got him
banned in several states,
but he wanted it,
no one could dissuade him.
He loved playing bridge, bridge falling,
bridge riding, tripped triple somersaults
through hula hoops, open windows,
stopped instants, camera focus pulls to him,
everything coalesces in the moment
not the whole and its entirety, just
a start perfectly prescribed,
whose dissolution is a recipe
best served on roller skates,
immediately.
He rode the rails
over the valley of laughter.
The clown in the wilderness.
New kid in town.
The angel that foretells
the end of the beginning,
the transformation coming
around the bend.



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